It Takes a Coffee Shop
September 03, 2008
Tonight I'm in Seattle. I'm thinking about Nirvana and Pearl Jam. They exploded on to the TV and radio back when MTV played music videos instead of the “Hills”. This was the result of the American music industry's Napoleonic siege on this city, spurred on by bands like the Pixies, Husker Du, Sonic Youth and Mission of Burma. Grunge bands in Seattle got started on a little label called Sub Pop and bands like The Melvins, Mudhoney, and 10 Minute Warning. With the spot light on Seattle others were signed faster than you can say button down flannel. Three thousand miles away, there is a connection. A studio called Fort Apache, a kid named Gary Smith, and the Pixies.
In the Late 80's in Boston, MA, Smith approached the Pixies about recording a bunch of songs at The Fort (fort apache). Selections from that batch of songs became the Pixies first album “Come On Pilgrim”. 4AD, a UK label, put it out. Catch was - only available as an import. 4AD did not distribute in the states. One way or another, that record found its way into the hands of Kurt Cobain.
I like this story because it ISNT the cliché “we were playing at this club and a fat cigar smoking record executive came up to us afterward” story. In fact, Gary Smith was a virtual nobody and so were the Pixies. I think it always takes a bit of luck, but let's face it. There has to be magic – the kind that give you chills down your spine when you see a band making beautiful music. Gary didn't walk out of the club saying to himself “wow those guys were great”, he left the club with the band.
This must not happen often. Let's face it - most bands.... well... suck. I'm still waiting for this epiphany, and I think this is why people will never be tired of live music. It's the possibility of discovering the undiscovered. The possibility of taking away, like a party favor, something the music gave you. Picking up the fallen rose buds and taking them home.
You walk into a coffee shop, some stupid guy is playing some stupid song. Between sips from your demitasse and the pages of an entertainment rag you listen. You watch his hands. You listen. He doesn't play like you, doesn't sound like you. Maybe because of that stupid song, you change one finger on your favorite guitar chord. You like the sound, so you move your hand to a different position. A melody from the back of your brain starts to charge forward. I think I'm right about this... It's all important. Is it all... good? I hate to say it...What if you walk into a club and the band on stage has the magic. You take them to your studio and make a recording. The odds that each of us as artists have changed the face of things in a small way are probable, almost certain. I suppose this has turned into a pep talk. Ah well - Keep up the good work. I don't think it takes the Pixies. It may just take a coffee shop - er, perhaps both.
-s
For more:
http://en.wikipedia.org/wiki/Fort_Apache_Studios
or
http://en.wikipedia.org/wiki/Gary_Smith_(record_producer)
or
*Regarding the first paragraph: I'm not a historian. I did no research about the early grunge bands. Don't hold it against me if I'm wrong here and there.





































