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Steve Duchardt


I Support:
WITNESS




It Takes a Coffee Shop

September 03, 2008

 

 

Tonight I'm in Seattle. I'm thinking about Nirvana and Pearl Jam. They exploded on to the TV and radio back when MTV played music videos instead of the “Hills”. This was the result of the American music industry's Napoleonic siege on this city, spurred on by bands like the Pixies, Husker Du, Sonic Youth and Mission of Burma. Grunge bands in Seattle got started on a little label called Sub Pop and bands like The Melvins, Mudhoney, and 10 Minute Warning. With the spot light on Seattle others were signed faster than you can say button down flannel. Three thousand miles away, there is a connection. A studio called Fort Apache, a kid named Gary Smith, and the Pixies.

 

In the Late 80's in Boston, MA, Smith approached the Pixies about recording a bunch of songs at The Fort (fort apache). Selections from that batch of songs became the Pixies first album “Come On Pilgrim”. 4AD, a UK label, put it out. Catch was - only available as an import. 4AD did not distribute in the states. One way or another, that record found its way into the hands of Kurt Cobain.

I like this story because it ISNT the cliché “we were playing at this club and a fat cigar smoking record executive came up to us afterward” story. In fact, Gary Smith was a virtual nobody and so were the Pixies. I think it always takes a bit of luck, but let's face it. There has to be magic – the kind that give you chills down your spine when you see a band making beautiful music. Gary didn't walk out of the club saying to himself “wow those guys were great”, he left the club with the band.

 

This must not happen often. Let's face it - most bands.... well... suck. I'm still waiting for this epiphany, and I think this is why people will never be tired of live music. It's the possibility of discovering the undiscovered. The possibility of taking away, like a party favor, something the music gave you. Picking up the fallen rose buds and taking them home.

 

You walk into a coffee shop, some stupid guy is playing some stupid song. Between sips from your demitasse and the pages of an entertainment rag you listen. You watch his hands. You listen. He doesn't play like you, doesn't sound like you. Maybe because of that stupid song, you change one finger on your favorite guitar chord. You like the sound, so you move your hand to a different position. A melody from the back of your brain starts to charge forward. I think I'm right about this... It's all important. Is it all... good? I hate to say it...What if you walk into a club and the band on stage has the magic. You take them to your studio and make a recording. The odds that each of us as artists have changed the face of things in a small way are probable, almost certain. I suppose this has turned into a pep talk. Ah well - Keep up the good work. I don't think it takes the Pixies. It may just take a coffee shop - er, perhaps both.

 

-s

 

 

For more:

http://en.wikipedia.org/wiki/Fort_Apache_Studios

or

http://en.wikipedia.org/wiki/Gary_Smith_(record_producer)

or

http://www.fortapache.net

 

*Regarding the first paragraph: I'm not a historian. I did no research about the early grunge bands. Don't hold it against me if I'm wrong here and there.

Friends

February 22, 2008

My old friend Sarah is in the African country of Lesotho working with an organization called Touching Tiny Lives. She's a doctor and provides care to orphaned children from the region, many of them with HIV/AIDS. Sarah and I were like peas and carrots in high school - We used to get coffee and take long walks down to the beach. Sometimes it would be dark, or wet, or cold, but we'd go anyway. We'd talk about the world and solve its problems. We dreamed how we'd fit in to it all. We talked about the future between our “I made out with blah blah...”s. Now she's out doing something she set out to do, and my proverbial hat is off. After all these years, Sarah is still a constant source of inspiration for me. Thusly, I'm caught wondering how and where my free time and skills can be used similarly. I volunteered a little while studying at Berklee. I'm glad I did. Maybe this is a fleeting moment of dogooderism, but I hope it's not.

 

Last night I worked The Click Five / Big City Rock show in Los Angeles. It's been a year since the two bands were on tour together. Faces had aged. Aged in a good way. Time moves faster on the road. There were hugs and stories all around. More old friends – former record label people, Eric Marcos from my old band Normal Noises (he was invited on stage and sang a verse of “Handle Me With Care”), even Eric Dill's girlfriend Lucy showed up. Both bands played solid sets. I was happy with my mix. Great night all around. I think the TC5 / BCR tour was my favorite to date. Old friends – no - brothers maybe – a family of some sort.

 

Tomorrow I see my new friends Teddy Geiger and Evan Voytas (Teddy's guitar player). It's a cool juxtaposition - to have parted ways with TC5 last night, and now to be here with Teddy. I can already see the inroads of a meaningful friendship developing. I love that. I have a sort-of library. I'm back in the stacks of dusty classics I can't put down. Some I have just read, others, are new paperbacks yet to be shelved.

 

We are collectors of relationships. We collect because of hunger. We need to talk, to touch. Sometimes we need a shoulder – it's insatiable. It's life's only collection that's not born from some stupid need to show off. We collect money and objects. We hoard. We steal. We forget. We loose track of. Things from which a real friendship is immune.

 

Now I'll sit and reflect. I'll think about Sarah. I'll think about touring. I'll do the show with Teddy and fly back to my girlfriend. My cup runeth over.. er... under... something like that.

 

Till next time, ta

-s

 

 

My Name Is Steve

January 23, 2008

      My name is Steve. I'm a freelance tour manager and sound engineer. I was offered the job when I was living in Boston, MA.  I had recently finished my degree from Berklee College of Music. While working as a guitar teacher, my friends The Click Five, needed someone wiling and able to help them on tour.  They had landed spot opening for Ashlee Simpson and the first date was rapidly approaching.  They asked, I agreed, and we rode off into the sunset – quite literally - for our first engagement.

       Allow a brief aside.  Now and in the future, I will  use the pronouns  “us”, “our”and “we” in reference to live performances -  “Our first engagement” and so on – Do not take to mean that I was in fact a member of the band, but rather I was, or am, a member of the family that crops around the band.

      Any who...

      I'm often asked to explain not just the day to day mechanics but the feeling of being on tour.  From what common experience should I draw a comparison?  Plucked from a comfortable, familiar life, then quite literally overnight, dropped into an  environment that is as harsh as it is unfamiliar.  Hopefully you will see merit in the following analogy.

      Take the brain train backwards.  Disembark at the stop marked “Summer Camp”.  What feelings are stirred as you stand on the platform?  The ache in the pit of your stomach while your parents drop you off?  Gathering your wits, while at  the same time wanting to run to the waiting arms of your mom?  Knowing not to show fear as it would be sniffed out faster than you can say “write on my sleeping face with a permanent marker”?  After you give your mother her last hug and kiss, you turn to face to your peers.  They are engaged in similar departure rituals.   Soon the pecking order will be established. 

      Okay – so, this is the day on tour.  Bands meeting bands.  The emotions are more grown up, the people all grown up, no parents – of course – but the feeling is the same.  Leaving your familiar surroundings for the first time.  Alot of kids look like they have been at the game for years... Some are as green as you.  To a certain, but much more subtle degree, there are “cool people” everyone wants to hang out with.   How will you get on?  Into what group will you fit?   

      At camp, in the events hall you are “oriented”.  The counselors put on an opening night skit,  a faux vaudevillian comedy with warnings of poison ivy, smoking, and breaking curfew.  Afterwards, settling into your cabin, your worst fears are realized as a vulture of a human ascends the bunk atop yours!  Is it possible? Are you the most unlucky creature on on god's green earth?   He smells like New York city garbage.  He inhales as if a kazoo is lodged in his nose. He exhales through the mouth gargling like Homer Simpson in remembrance of donuts past.    

      On tour it's your first night trying to sleep in a van, bus, or hotel room.  I had such a hard time falling asleep the first night.  I made up the “vulture human” for dramatic purposes, but, the anticipation – the thought of his possible existence is the same!  I was actually in Ethan's (TC5 bass player) basement. The lives of my friends, this band, their money, and their career was under my unseasoned jurisdiction.  The stress of the responsibility!  Who was I?  I had seen a little more life than them – but that was it.  Those thoughts were enough to keep my eyes open half the night. 

      At camp you take your meals in the “Great Hall”.  A place sure to have been the canteen of some old army barracks.   You slide your sweaty tray down the rails. The slop on your plate is described to you as Beef Stroganov. 

      When the concerts are held in Arenas or out door “sheds”,  bands and crews are fed by a catering company.  Yes, it is VERY reminiscent of summer camp cuisine.  Smaller tours are not catered. The venue gives you a “Buy out”.  Ten bucks or so for you to spend as you wish.  Other times you get nothing.

 

      At camp you lay in bed with the vulture perched in his nest above you. Your mind wanders home.  Green grass, and red Kool Aid. Buttery summer air and the pool next door.  To Walter and Mark.  Best friends. You'd be having a sleep over right now.  Tomorrow .. yes tomorrow you will call. You will call, Mom will answer,  and she will take you home.  

      Of course you never call.  Having had the most affirming of all experiences, and achieving high honors in marksmanship, archery, pottery , rock climbing and survival skills (climb a tree, eat a sausage), you vow to never fall out of touch with your new comrades!  You will call and write everyday!  As soon as the fates allow,  you will  visit your new sweetheart on Long Island because you love her and you only live in Connecticut which is not far.  Your life is changed for the better.  

      The tour comes to an end. Everyday has been a chorus of perfect chaos:  Unloading and setting up equipment,  eating when you can, sound check, interviews in person and on the phone, radio stations at 7:00am that seem like a dream to you now, coordinated meals and bed times, there was work to be done and odds to overcome, love, lust, happiness and pain, insane fans, posters with your name on them, gifts, loneliness, no one and everyone to talk to all at once, brotherhood, highway eyes, stiff necks, no showers,  no time alone, too much time alone,  “Remember Tulsa?”  “Oh yeah.”  “When we...” “And then you...” “She was so...” “I was way too...”  “we were!”. 

A postscript...

One thing I didn't mention - Never experienced at camp or in normal life - driving.  Half  your time on tour is spent this way.  Imagine a road trip you went on.  Ten hours nonstop to visit a friend in college or something.  Now imagine doing that road trip EVERY DAY.  In order for the hours to melt away, you fall into a trance that compresses spacetime  - a sort of waking dream.  Your mind takes refuge in its self.  The side effect is walking around like a Zombie after you've been in the van.  It always takes a while for time's rubber band to stretch out again.